Making Count Dracula's Bran Castle
/Atop a terrific precipice among the mountains of Transylvania stands the formidable Bran Castle. Bram Stoker didn’t specify that Bran was the castle he wrote about in his 1897 novel Dracula. However, due to his description of the castle, its location, and the strange stories about its former blood-thirsty inhabitant Vlad the Impaler, Bran Castle is widely accepted as the home of notorious vampire Count Dracula.
Stoker’s entire novel is told in 31 vignettes throughout the castle. You can fully immerse yourself in the story by listening to the audiobook while assembling, following the cast of characters around the 1000-piece puzzle (measures 19.1" x 26.8" assembled). The Stoker novel is not the only story told in this illustration. It is also packed with easter eggs and vampiric myths from all over the world. Inside the box you'll receive a vibrant 16.5" x 23.4" poster identifying them, as well as a seek-&-find game, and a legend labeling each scene from Dracula and the excerpt it illustrates.
This is the third in my line of jigsaw puzzles. The first two - H.H. Holmes' Murder Castle and Edgar Allan Poe's Macabre Mansion - have been hits, with thousands of copies shipped to 46 different countries. These puzzles are available in the store now. You can get the new Count Dracula’s Bran Castle puzzle by backing the Kickstarter here.
ILLUSTRATION PROCESS
To make an elaborate cutaway drawing like this, I have a 6 step process.
1. Research For Dracula, this of course involved reading and listening to the novel many times. I hired my sister, Bethan - a very intelligent, super organized history buff - to help with the research and brainstorming. Between her extensive notes and reference image library, and my own studies of the book and architecture of the castle, we amassed a ton of resources from which to build the drawing. I then decided which scenes from the book to illustrate.
2. Super Rough This stage involves making some really important decisions, like the orientation of the building, which areas of the castle to cut away, and where in the picture to assign each of the 31 scenes.
3. Rough Sketch Once I’m happy with the structure of the building and the overall composition, it's time to fill it with stuff. This is when I decide which moment of each scene to illustrate. Composing each scene often requires adjustments in the room assignments or cutaway structure.
4. Tight Sketch The aim of the Tight Sketch is to define as much detail as possible and scour the research material for anything visual I can include. I want to get this draft as comprehensive as possible so that when I’m inking I can focus on the technical drawing aspect rather than stuff like design or facial expressions. It's also important to think ahead and include a variety of interesting light sources such as lamps, windows, and fireplaces.
5. Ink Best part. I use 003 Micron liners and 0.05 Isograph by Rotring. I correct using a teeny tiny paint brush and Dr. Ph. Martin's white. The inking process for Dracula took about 120 hours. When the lines are down, I scan it on a kickass Epson at 600 DPI.
6. Color & Light After a little line cleanup in Photoshop, I’m ready for Color. There are actually three parts to my coloring process. First, the Flat Color, which involves choosing the palette and filling them in. Then Shading, which means adding dimension to the flat color and determining where the shadows will fall in relation to each of the light sources. The final part - and perhaps the most exciting - is turning on the lights. Adding vibrant, exaggerated color to illuminate everything gives the whole picture life.
EASTER EGGS AND STUFF
Hidden amongst the Dracula scenes are a bunch of mythic vampire characters from various countries. The puzzle comes with a poster identifying each of the monsters. However, the castle also contains lots of details and easter eggs not listed on the poster… Here they are! (Most of them, anyway... If you have any questions about what things mean, leave it in the comments below!)
ALBRECHT DÜRER This is a portrait of Albrecht Dürer, a German painter and printmaker whose work was a prominent part of the Northern Renaissance, and a significant influence of mine. His self-portrait was used as a model for the portrait of young Dracula featured in Coppola’s 1992 film Bram Stoker’s Dracula starring Gary Oldman.
Coincidentally, a massive Dürer etching exhibition came to the Frist Art Museum here in Nashville right before I was about to start inking the castle. I visited the exhibit twice and spent a lot of time studying his fine linework and incredible background details.
Dürer signed all of this work with this little emblem, so in honor of his weird connections to this drawing, I signed my initials in the same style.
Also, note the cane leaning against the door beneath the Dürer portrait. This cane belongs to Barnabas Collins, the lead character in the classic vampire TV show Dark Shadows which originally aired 1966-1971. It has since been remade, with Johnny Depp starring as Barnabas.
THE GLOBAL VAMPIRIC CONSORTIUM This is the bottom of the illustrated guide that comes with the puzzle. Needless to say I learned a lot about vampires of all shapes and sizes! You can see these at a higher resolution on my Instagram feed.
THE GRAVEYARD One of the more unsettling scenes in Dracula is when the gang discovered a vamped out Lucy in the graveyard holding a tiny victim. I used these graves to memorialize the various historical figures associated with Bran Castle, as well as some of the unfortunate souls who passed away in the novel.